07-17-2024, 11:03 AM
What are your assumptions about the relative positions of start, end, DS, and Coda?
You seem to assume that the DS is at the "top" and Coda is at the end (neither of which may be true). But what do "start", "top", and "end" mean?
I'm looking at a medley right now ("50's Medley" -- no indication, on the 4th trombone part, of the publisher or arranger) that has two segments that each contain a D.S. Al Coda and a Coda. I'm not sure what function positions like "start" and "end" play in that scenario.
You seem to assume that the DS is at the "top" and Coda is at the end (neither of which may be true). But what do "start", "top", and "end" mean?
I'm looking at a medley right now ("50's Medley" -- no indication, on the 4th trombone part, of the publisher or arranger) that has two segments that each contain a D.S. Al Coda and a Coda. I'm not sure what function positions like "start" and "end" play in that scenario.
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Gary H. Merrill
Gary H. Merrill